For a face-to-face class, I plan to use a historical film such as Alan Parker’s Come See the Paradise (1990), so I can teach students about key historical moments presented in the film. Prior to viewing the film, I would post 2 questions prior to class discussion that the students will begin to think about while they view the film. After viewing the film, the students will begin to discuss at least 2 prominent issues and themes depicted in the historical moments in the film. After the discussion activity, I would point out at least 2 historical moments key moments in the film. Then, I would direct them to Densho Digital Repository to view at least 2 images from the collections that might be connected to each historical moment and examine them together as a class. Then, the students will be asked to come up with 3 or 4 more historical moments in the film. They will conduct research for each key historical moment by working in groups of 3 or 4 students. Also, they will analyze contradictions and look for what is missing in the selected historical moment of the film. Eventually, they should come up with their own questions when making connections between the film and the research (e.g. primary and secondary sources).
For an online class, I would post some images of Japanese American families before and after WWII. I would add a link to certain images from the Densho Digital Repository in Blackboard. I would post at least 2 questions for them to think about for the posted images that depicts at least 1 or more themes. Students will examine the 2 images and develop questions about them. As a class, we would come up with a list of at least 2-3 major themes. I would teach them how to access and use two media resources. Then, I would ask the students to research Densho or Hirasaki National Resource Center’s online collections to find at least 2 images that depict one or more of the themes. The students will work in groups of 3-4 to further examine and analyze the selected images. They will describe the 2 images with objective and subjective descriptions. Then, they will examine the visual components of the images and look for arguments. Their examination will lead to an analysis of the photographer’s ethos. They will begin to connect the images to the historical event by developing their own questions during the analysis.
