Third Piece of the Puzzle

The audience for my final project would be college students who are enrolled in Asian American Literature. Most of my students are Texas residents, and they rarely have exposure to Asian American literature at a two-year college; and a few universities offer the course. I chose them as my audience because they are assigned to read John Okada’s No-No Boy, 1 of 5 novels for the course. To help them learn about the treatment of many Japanese Americans after the bombing of Pearl Harbor, I would like to create a lesson for the 2 or 2.5 weeks they spend with the novel and historical evidence. In the past, when my students were assigned to read Okada’s novel and research history during that time period, they were shocked to find out such information was withheld from them until college. Some students explained to me that most history classes in middle and high schools spend little or no time on the topic of the treatment of Japanese Americans during WWII. Some were shocked to find out that families were forced to leave their houses and businesses, not knowing that they will be able to return to them. To add to their shock or discomfort, they didn’t understand how the U.S. government forced able bodied Japanese American men to separate from their families even after they were removed from their homes and serve in the war. But, the part that they couldn’t understand are the loyalty questions because it was confusing and contradicting, and the questions divided Japanese American families, friends, and communities. Due to this part of discomfort and contradiction, I wanted to include a lesson to help my students grapple with the historical evidence and how literature helps them see something that is still hidden or partially hidden in American history.

By incorporating a lesson that helps students examine and analyze historical evidence in connection to the novel, I am also learning to teach digital history with digital resources. The 21st century student is usually inundated with media and advancing technology, while some students are disenfranchised. Despite the differences, most educators take the leap forward and try to their best to provide a learning environment that adapts to the advancing technology and access to various media. In order to proceed, educators are constantly learning new methods and techniques to engage their students. The 21st century student faces different challenges than the past students, but it’s up to educators to foster a learning environment (e.g. face-to-face, online, or hybrid) that helps the student to think historically and critically in a world of endless information that can be accessed with a few key strokes or just speaking into a mobile device and asking Siri.

Thinking: Questions for Teaching History in Asian American Literature Course

Teaching history in a literature course is challenging because students are already required to read and analyze a literary texts such as novels, short stories, and poems. At the same time, they are encouraged to make connections to selective information in the novel by conducting research to further understand the political, social, and cultural aspects that are mentioned in the novels. By doing the research and cross-referencing the sources, they are also learning history.  In my Asian American Literature course, students are asked to view primary sources and secondary sources to make personal and academic connections to the novel.  Here are my questions for teaching history in an Asian American Literature course that focuses on a section about Japanese Americans during WWII:

Q 1: Are my students capable of asking questions to inquire about the historical evidence?

A 1: They are capable of asking questions that allow them to conduct research to help them understand the historical evidence. The historical evidence is usually new for them, and they begin to engage with it by asking various questions.

Q 2: Will they be able to recognize the connections between the various sources in order to reconcile the two contradictory positions between what they already know and what they need to put aside to begin historical thinking?

A 2: They should be able to make connections between the novel, primary sources, and secondary sources and realize that what they have been taught about the historical content is not enough; and they will begin to ask questions to begin their own construction of the historical knowledge. They will begin to see what was hidden or partially hidden from them as students when they were learning about the treatment of Japanese Americans during and after WWII in high school and/or college history courses.

Q 3: Will providing digital forms of the primary sources or digital resources for my students hinder their ability to investigate them to foster their historical thinking?

A 3: The digital sources will not hinder them from investigating them. It will provide another way for students to view and analyze primary and secondary sources that can be out of reach or inaccessible if they were only available in print and/or in a physical museum. Also, it will adhere to the different ways of learning or learning styles.

 

 

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